“If Tegan And Sara Need Some Hard Dick, Hit Me Up,” Tweeted Tyler, the Creator.
Now: There are a few things I would like you to do with this Tweet. For one, I would like you to listen to it. No, really: Hold your ear up to the computer monitor. Turn the volume up as far as it can go. You got speakers? Plug those in, too. Really zone in. Squeeze your eyes shut. Click through to the original, and listen to that!
Now: Does this Tweet, as far as you can tell, make ANY MUSIC AT ALL? No? Phew! I thought I was alone, in not hearing music when I looked at this delightful Tweet from Tyler, the Creator!
And this means a few things. For example: That the “it’s all about the music” pose is a fucking lie. That all of the boys who are snickering at this, and/or applauding it (and oh, yes, there were plenty) are not enjoying the “music.” They’re enjoying the misogyny. They’re enjoying the suggestion that uppity women should have a dick shoved in them to shut them up. They’re enjoying the misogyny. Because this shit ain’t music. It’s a fucking Tweet. Tweets, it’s my understanding, are distinctively unmusical. And furthermore: That Tyler’s delightful “humor” is not the point. Because this shit ain’t delightful “humor.” It’s not unpredictable. It’s not innovative. It’s not, under any circumstances, edgy.
The problems that I’ve had with most of the music scenes I am involved in, especially the punk scene and the underground hip hop scene, I notice that there are very functionalist ideas that hold everything together between people. The idea that there is misogyny and homophobia in both scenes is brushed aside and re-named “artist’s integrity”, because it is believed that without it the scene wouldn’t function smoothly or normally. And since most of the musicians in these scenes are predominantly straight men, this has never been a huge problem. It is so common, it is to be expected..I, being a woman and queer, am unnerved and continuously feel ostracized in a community built on music that I love. And I’m expected to suck it up and “grow thicker skin”, because I am a minority in the punk and hip hop scene, and that gets in the way of some straight guy’s idea of what music should be.
Oh and odd future sucks. Untalented cunts.
A call for change
When will misogynistic and homophobic ranting and raving result in meaningful repercussions in the entertainment industry? When will they be treated with the same seriousness as racist and anti-Semitic offenses? While an artist who can barely get a sentence fragment out without using homophobic slurs is celebrated on the cover of every magazine, blog and newspaper, I’m disheartened that any self-respecting human being could stand in support with a message so vile.
As journalists and colleagues defend, excuse and congratulate ‘Tyler, the Creator,’ I find it impossible not to comment. In any other industry would I be expected to tolerate, overlook and find deeper meaning in this kid’s sickening rhetoric? Why should I care about this music or its “brilliance” when the message is so repulsive and irresponsible? There is much that upsets me in this world, and this certainly isn’t the first time I’ve drafted an open letter or complaint, but in the past I’ve found an opinion – some like-minded commentary – that let me rest assured that my outrage, my voice, had been accounted for. Not this time.
If any of the bands whose records are held in similar esteem as Goblin had lyrics littered with rape fantasies and slurs, would they be labeled hate mongers? I realize I could ask that question of DOZENS of other artists, but is Tyler exempt because people are afraid of the backlash? The inevitable claim that detractors are being racist, or the brush-off that not “getting it” would indicate that you’re “old” (or a faggot)? Because, the more I think about it, the more I think people don’t actually want to go up against this particular bully because he’s popular. Who sticks up for women and gay people now? It seems entirely uncool to do so in the indie rock world, and I’ll argue that point with ANYONE.
No genre is without its controversial and offensive characters- I’m not naive. I’ve asked myself a thousand times why this is pushing me over the edge. Maybe it’s the access to him (his grotesque twitter, etc). Maybe it’s because I’m a human being, both a girl and a lesbian. Maybe it’s because my mom has spent her whole adult life working with teenage girls who were victims of sexual assault. Maybe it’s because in this case I don’t think race or class actually has anything to do with his hateful message but has EVERYTHING to do with why everyone refuses to admonish him for that message.
It is not without great hesitation and hand wringing that I enter into the discourse about Tyler, the media who glorifies and excuses misogyny and homophobia, and the community of artists that doesn’t seem remotely bothered by it. I can only hope that someone reading this might be inspired to speak out. At the very least, I will know that my voice is on record.
Look, it’s simple…
Look, it’s simple. Most concert photographers don’t want fans reposting their images.
It’s not a “greed” thing or “singling people out” or whatever else people with fan sites always accuse them of… it’s because most concert photographers DO NOT GET PAID TO SHOOT CONCERTS.
They only get paid when SOMEONE LICENSES THEIR IMAGES.
Magazines and major websites won’t run photos that fans have taken off the photographer’s websites, or off those who licensed them legally for an article, and spread around the Internet… or they pay only a tiny fraction of what the image is worth because they no longer have that first use exclusivity. They actually run images thru a reverse lookup utility that shows them if/where/how many times an image has been reposted.
Photographers get paid very little for images to begin with (the leading alternative music magazine pays $100 maximum for an image, which doesn’t even cover the cost of shooting that concert. Most pay far lower… companies with a subscription to Getty Images may even pay as little as $11 to license something, and the photographer only gets 30% of that). They absolutely need their images to retain value so they can keep licensing them to other media outlets in the future. If they shoot full time, their images are literally the only retirement fund they’ll get.
Sure, fan sites try to claim it’s okay or “Fair Use” because they aren’t making money from the images… but when fan sites steal the images and repost them without paying the license fee EVERYONE has to pay in order to use the images legally, they cheat the photographer out of licensing fees and damage the image’s value. I know photographers who have stopped shooting some bands because their fans are terrible and steal any image they can find, even from agencies and professional licensing sites (*cough*30STM/BVB/Pretty Reckless*cough*)… and if they do shoot them, they keep the images from ever being seen by the public, which ruins YOUR fun of being able to see lots of new images of your favorite bands without paying for a magazine.
“Fair Use” isn’t a law, it’s a set of questions a court asks to determine if someone’s copyright infringement is fair AFTER you’ve ended up in court for infringement. Not using it commercially is only ONE part of the question. Another part is if you damaged a photographer’s income from that image, or used it in a way that competes with a photographers use (like, wanting people to view it/license/print it on his own website, not yours)
I just had 20 images of one band reposted on Tumblr from my licensing site, and since it’s BLOCKED from Tumblr’s bookmarklet and share buttons (using them gives an error message stating this site does not allow their content to be posted on Tumblr), they deliberately went around that and screencapped all the images.
Now, if fan sites just posted a LINK to a photographer’s images, that would still let their followers know where to view great images, but I guess they wanted to get credit for finding them and hog the compliments/praise, like they had anything to do with those images creation? Does that show any respect for someone’s art? I always wonder, would they also post a link to an illegal download of their favorite band’s new album the moment it came out, so people didn’t have to pay those greedy musicians who didn’t want to share their work freely?
PropertyOfZack Contributor Blog : : Curran Blevins
PropertyOfZack welcomes back Curran Blevins for his second Contributor Blog. Curran’s first blog was a huge success, so we are thrilled to have him back. This specific entry from Curran revolves around how any privacy bands once had has now disappeared due to a new era in fans and social technologies and how fans are disrespectful and expect too much out of their favorite bands. It’s a great and worthwhile read, so catch up on it below!
There is no safe haven, there is no quiet time, and there isn’t anywhere you can go to have a so-called personal life while on the road anymore. There are no longer secrets left for the minds of the fans. Every question is answered, every autograph request met, and every photo taken time and time again. There is no longer a line that separates bands from their fans, but yet in reality it is the exact opposite. The playing field has been completely leveled, and the idea of a Rock Star has become a thing of the past.